LIST OF WORKS
CHAMBER ENSEMBLE
SOLO
Suite for Solo Cello – 12’
Sonatina; for solo piano – 12’
Character Piece; for solo piano – 3’
Trois Pièces Simples pour le Piano; for solo piano – 14’
DUO
Portraits des passants; for flute and piano – 7’
Sonata in Self Portrait; for oboe and piano – 22’
Fantasy on a Polar Landscape; for oboe and piano – 9’
Duck, Duck, Goose; for oboe and bassoon – 3’
Ru$t and A$he$; for oboe and horn – 3’
Landscape; for piano four-hands – 5’
Bread; for soprano and piano – 2’
Tristesses de la Lune; for soprano and piano – 5’
Cyclic Songs; for tenor and piano – 18’
TRIO
I Can Hear the Ocean; for flute, clarinet, and harp – 10’
QUARTET
Pla[y/ie]; for soprano, violin, cello, and piano – 8’
Vertices; for whistling quartet – 5’
Four Years of Winter; for tuba quartet – 4’
For the Betrayed; for string quartet – 5’
For the Fugitive; for string quartet – 3’
QUINTET
Carnival of Autumn; for wind quintet – 12’
August 21, 2017; for reed quintet– 9’
Shine; for Brass Quintet – 11’
SEXTET
Landscape; for pierrot ensemble – 9’
LARGE CHAMBER ENSEMBLES
Still Life; for oboe choir – 8’
Fantasy on “Angels We Have Heard on High”; for oboe choir – 4’
Fantasy on “We Three Kings”; for oboe choir – 5’
LARGE ENSEMBLE
WIND ENSEMBLE
Oratorio Corpus Christi; for wind ensemble or orchestral winds and percussion, SATB Soloists, SATB choir, and fixed electronic media – 24’
CHAMBER ORCHESTRA
Chamber Symphony: Observations on Homogeneity – 19’
Contrapunctus VII; for chamber orchestra, Austin, TX – 8’
Hollow – For Chamber Orchestra – 12’
FULL ORCHESTRA
Field of Flowers; for full orchestra – 6’
Gentleness in Motion; for full orchestra – 14’
Emergence from the Mother Harp Seal; for full orchestra – 11’
MISCELLANEOUS
Hollow; for fixed electronic media with dance and projected media (optional live oboe solo) – 49’
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